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Tuesday, May 22, 2012

A Taste of 'Base Spirits'


Enter the Darkness...



Taking a chance on an Indie author is risky for readers. I get that. I've been burned myself by buying underdeveloped, poorly edited, and just plain badly written books. But here's the thing... it's not all poo. Really! There's gold in them thar hills. I've also discovered some excellent Indie published books: writing rejected by the bean-counters and gatekeepers of traditional publishing. Indie books are also cheap as chips... hours of amazing entertainment for a few measly bucks. Far more often, I have also been burned by paying top dollar for top selling authors published by the Big Six. I don't know about you, but I'd rather chance a new discovery for the price of a specialty coffee than fork out $20 for a crappy bestseller. Still hesitant? Savvy Indies make samples of their books available through Amazon's 'Look Inside!' feature, and even give their books away free from time to time.

I've done that. As a result, I know I reached a wider audience... maybe. Lately, I'm feeling a bit cynical. I think there are a lot of readers out there who are perhaps being trained to think that Indies aren't worth paying for if they can just wait it out and grab freebies by the armload. Will all of these folks read my book? Maybe. Maybe not. I'll bet they have hundreds of e-books downloaded and may not get around to mine for months. I hope some of them read it... review it... and tell a friend about it.

I'm going to be honest. Sure-- it's great that people are scooping up my book whenever I make it free... but guess what? I'm attempting to build a career, and I am aiming to make at least a partial living with my fiction. I think it's a bargain at a mere $3.99. I admit I've been baffled by marketing... so here goes another blog post! Currently, I am writing a new novel In The Bag -the first of a projected series of character-driven crime novels: The Dead Drunks. Meantime, my short story Family Secrets http://amzn.to/GUbPPN and my first novel Base Spirits are getting excellent reviews.

Now I'd like you to take a chance, dear prospective reader.

Here's the blurb for Base Spirits, followed by a teaser from the opening chapter (Note: the cut and paste into blog form messed the formatting slightly-- the actual book has impeccable formatting and editing). Give it a read. If you like it, please follow this link and download your very own shiny Kindle copy http://amzn.to/wQ1ms4. If you are a person who loves the tactile experience of reading an actual book, here is the paperback link: http://amzn.to/HukdEZ If you like fast-paced ghostly chills wrapped around a fascinating and brutal historical tale (think Possession meets The Shining), this may just float your boat...

‘Murder has took this chamber with full hands And will ne’er out as long as the house stands.’ 
~A Yorkshire Tragedy, Act I, Sc. v 


In 1605, Sir Walter Calverley’s murderous rampage leaves a family shattered. The killer suffers a torturous execution… but is it truly the end? A noble Yorkshire house stands forever tarnished by blood and possessed by anguished spirits. Some crimes are so horrific, they reverberate through the centuries. 
As an unhappy modern couple vacation in the guesthouse at Calverley Old Hall, playwright Clara, and her scholar husband, Scott, unwittingly awaken a dark history. Clara is trapped and forced back in time to bear witness to a family’s bloody saga. Overtaken by the malevolent echoes, Scott is pushed over the edge from possessive husband to wholly possessed… Inspired by a true-life drama in Shakespeare’s day, this is itself a play within a play: a supernatural thriller with a historical core. 
Only one player can survive.



York, England, 1605

Sir Thomas Leventhorpe had failed the victims in life. He could not fail them now.

            Though he longed to be anywhere else that August dawn, his choice was irrefutable. The noble family murders had left him as the village of Calverley’s highest-ranking citizen, and he bore a duty to witness the conclusion of its history’s most tragic chapter. It was his sacred charge to stand present for those innocent lives cruelly dispatched by the very man that should have loved them most.

He lingered in the stark main corridor of Clifford’s Tower, waiting to accompany the killer on his final procession. There seemed to be a delay. From what Leventhorpe could gather, the entourage was incomplete. He glanced about the small, silent group and caught the eye of the anxious man standing at his side-- the only other soul afflicted with first-hand knowledge of the horrors that had led them to the Tower. Leventhorpe ventured an encouraging smile at the murderer’s former servant, but John's pale, scarred face was stony. Sir Thomas touched the younger man on the shoulder and felt him quivering like a nervous beast, his arms tightly wrapped about himself in a desperate embrace. The brutal April morning at Calverley Hall had shattered John. Withdrawing his hand, Leventhorpe wondered why the lad had come to this dread place to be reunited with his nemesis. Perhaps in his own way John had no choice but to see the tragedy through to its conclusion. Leventhorpe could offer him no real solace but to share the burden of bearing witness.

In the Tower’s stairwell door, a grizzled magistrate stood lost in thought, tugging gently at his beard. The elderly head gaoler, Master Key, waited outside the prisoner’s cell door. A younger, assistant gaoler tapped his foot loudly against the flagstones and glowered toward the doorway at the opposite end of the corridor, a sneer playing on his lean face. Turning to his superior, he grumbled in a low voice:

“That idiot boy is late again-- and today of all days! I say we have tarried long enough.”

Master Key held up his hand. “Be thou patient, Jack. The magistrate is not yet concerned with the time. Hugh must be present to learn the proper order of how matters proceed.”
         
Leventhorpe’s skin prickled at the thought. He dreaded having to witness the ‘matter’ in question, and felt pity for the unseen boy who would today be taught the finer details of his trade.  
     
Footsteps pounded up the outside stairs and-- as if overhearing his cue-- a scrawny lad of no more than twelve skidded into sight. White-faced and out of breath, Hugh blanched still further as the men turned as one and fixed him with expectant looks. Giving an awkward bow of his head by way of apology, he staggered as he took a halberd down from the wall hooks. Jack strode over to collect the apprentice and hauled him into place by the ear. Leventhorpe was close enough to hear the gaoler’s hissed threats.

“Yer in luck, boy. The magistrate himself was late to rise, else ye’d be wishin’ ye could trade places with our esteemed prisoner.”

Master Key shot his underlings a sharp glance from beneath his heavy grey brows and they ceased their disruption. Key unlocked the door, and he and Jack entered the cell. Leventhorpe heard the muted clanking of chains and after a moment, Sir Walter Calverley was led out between the two men.

Leventhorpe’s stomach twisted at the sight of his former friend and neighbour. He caught John by the arm, steadying him as the lad’s knees buckled. Neither had seen Calverley for months-- not since his hellish rampage. Although Calverley was thin and drawn, he held himself with dignity. He wore a fine black doublet, and his lace cuffs and collar gleamed in contrast to the gloom of the corridor. Leventhorpe couldn’t help but think that Calverley was very well dressed for a dead man: he must have set this outfit aside in anticipation of the occasion. Calverley did not so much as glance in their direction.

Master Key cleared his throat and nodded to the magistrate. The procession began its descent into the bowels of the Tower, the close quarters of the stairwell making for an awkward single-file progress. The stately magistrate set a careful pace for those behind. Leventhorpe and John followed next, with Master Key leading Calverley. Jack and Hugh took up the rear to prevent any chance of the prisoner’s escape.  
         
Time of day carried no meaning as they moved down into the still depths of the Tower. No one spoke: the only sound was the scuffling of heavy-booted feet. Flickering torches from the wall sconces lit the way, casting long, dancing shadows on the muted grey stones. Leventhorpe had the sensation of being buried in the earth as they moved ever deeper. He kept his eyes lowered, mindful of the uneven stairs, eroded by countless footsteps over several lifetimes. Suddenly, a rush of iridescent green-and-black beetles scattered out of the men’s path. Leventhorpe felt a brief flash of delight to see something so lively-- these animated jewels-- existing in such a bleak place.

At the foot of the tightly coiled stone staircase lay a narrow, low-ceilinged passageway. Leventhorpe glanced along a seemingly endless succession of closed doors and gaping antechambers. Today’s method of execution-- ‘peine forte et dure,’ less elegantly known as ‘pressing’-- could take several hours. His throat constricted. Already he found the dank air putrid and hard to breathe. The clammy walls, coated with an orange mildew, gave off a pungent odour. Here and there between the cracks in the stones grew a strangely pretty fungus with pale yellow flowers. Leventhorpe touched a curious finger to a cluster of the petals as he passed by. They disintegrated instantly and left a lurid smear on his fine lace cuff.

Lord, I pray this ends quickly--

At last, the magistrate came to a halt and peered around to catch the eye of Master Key. Jack and Hugh stepped ahead to replace their Master’s hold on the prisoner. Hugh’s hand clearly shook as he tried to get a firm grip on Calverley’s arm, but he was met with no resistance: Calverley kept his manacled hands clasped before him in the manner of a clergyman and focused his dark eyes into the shadows at the far end of the passageway. Leventhorpe was again struck by the man’s poise. Of those present, he seemed the least moved by what was about to take place.
        
Fumbling at his belt for an oversized key, the old Master slipped to the front of the group to unlock the low, windowless portal. He heaved his stooped shoulder against the recalcitrant door and swung it inwards. The magistrate ducked his head as he entered the chamber, followed by the others. As Key lit the torches in the iron wall sconces, Leventhorpe blinked and looked about the room. A wide plank of coarsely hewn oak leaned against one wall. Beside it was a heap of stones, each roughly the same size-- twelve to fourteen pounds in weight.  Four iron rings were set into the flagstones in the centre of the floor. The room was otherwise barren. Once the condemned man was safely inside, the door was shut and bolted. Leventhorpe felt trapped.

“Make him ready,” said the magistrate.

As placidly as a docile horse, Calverley allowed himself to be taken by his chains and roughly stripped by Jack. The assistant gleefully assessed the clothing as he folded each item. Handing the garments over to Hugh, he winked at the boy’s dumbfounded expression.

“For safe-keepin’, lad. A boon for me. They’re about my size-- and he won’t be needin’ ’em in Hell now, will he?”

Leventhorpe was shocked by the outrageous theft but no one else seemed fazed. It must be routine in such matters, he thought. Perhaps it was considered part of the assistant’s payment.

Calverley was made to stretch out face up on the cold floor. A jagged stone was placed underneath the small of his back. His ribs standing out in sharp relief, he arched his body upward to accommodate the work of Master Key’s calloused hands. The prisoner’s long limbs were pulled into a cruciform position and shackled to the iron rings. At a quick count of three, the two gaolers heaved the plank from where it stood. With a grunt, they laid it over top of Calverley’s naked torso. The strain showed immediately in his breathing.

From where he stood, Leventhorpe had the clearest view. Only the doomed man’s face was visible at the top edge of the plank. Leventhorpe looked closely at his one-time friend. Calverley’s full lips were parted as he gasped from the burden already on his chest-- and the anticipation of what was soon to come. Beads of perspiration dotted his moustache and beard, and sweat soaked the thick waves of his dark hair. Leventhorpe felt sick with pity. For all that Calverley had so brutally performed to visit this fate upon him, his serene determination from the outset to lighten the work of his own executioners gave him the aspect of a martyr.

Perhaps he hath repented. Will he at last speak his mind to the Law?

Leventhorpe could not catch his eyes to ask this silent question. Calverley had disconnected. He fixed his unblinking gaze on the grimy ceiling, entombing any emotion he may have felt deep within and unreachable.

The magistrate stepped forward from the corner, where he’d been absorbed in the examination of loose threads on the hem of his cloak. He had paid little attention to the tasks of the others. Master Key pulled his apprentice out of the way and made him drop the bundle of clothes he’d been hugging to his chest.

“Ye’ll need to keep yer hands free now, son.”

The nervous boy leaned his halberd against the wall, where it slipped along the moisture and clattered to the floor. Already skittish, Leventhorpe and John started at the racket, and John pressed up against his back as if to be shielded from the very Devil. The magistrate clenched his jaw and waited for the echo to subside. He spoke in a strong voice that belied his great age.

“You had your chance to speak before the Assizes. You chose silence. I therefore put it to you here and now for the Crown, and before these good men: Sir Walter Calverley, how do you plead?”

Leventhorpe stood waiting by his friend’s head. John’s nervous breath was hot on his neck.

There came no reply from Calverley but laboured breathing.

“Very well-- ” The magistrate stepped aside and nodded to the gaolers.

“Lay on the weights.”

Tuesday, May 1, 2012

An Overnight Success... in Only 25 Years!

This post is all about being in it for the long haul.

Let me tell you about my dear friend Stephen Ayres. (Remember that name. You'll start hearing about him soon, I promise... and not just here on my blog.)

Cheers to Success!


I met Steve in our first year at Trent University in 1986. He was relatively shy compared to my general 'out there' self, but we were in a lot of the same classes and the same residence hall. He came to see me in a terrible play I was in during first term, and we both worked on a production of Othello later in the year: him backstage and me 'out there' as Emilia. We also ended up doing some short films around campus-- just 'cause we wanted to.

Steve was-- and is-- a 'film guy'. He loves movies. He has a quick wit, a great eye, and a way with storytelling. He's always wanted nothing more than to be a part of it all. After earning his BA at Trent, he moved on to Ryerson for film and the shy guy really blossomed.

Jump ahead a few years.

Steve met and married a lovely Australian woman, Kim. They ended up living Down Under in Sydney and have two great kids... now teenagers. Kim works in health, and has become very busy in her career with a cancer foundation and the specialty training of nurses. Steve ended up working in banking and finance for years, and all but put the idea of filmmaking on the back-burner. Where does the time go?

Yes. Where does it go? And what about the idealistic dreams and goals we have in our younger days? Do they ever entirely vanish, even as people build a family and a home, and make all those realistic tough decisions along the way... like getting a 'real' job? Who was that clean-shaven guy in the mirror wearing a suit and heading out everyday to a job he loathed in the core of Sydney's financial district?

So-- a few years ago-- a very unhappy Steve decided to give himself a little time to get back to screenwriting and see what he could do. Kim's job is good, and he took a package from the bank when he left. It was enough to buy some time: not indefinite, but a bit of breathing and writing space.

He sweated over ideas and honed scripts. Pitched to agents and producers. Felt hope. Saw hope dashed. Made his kids' lunches and ironed their school uniforms. Cooked dinner for Kim and did the laundry and the yard work. Soul searched. Nearly gave up but never did. Got into some prestigious Australian screenwriting programs, and inched further ahead toward that elusive dream.

Finally, a couple of years ago, a big producer finally took proper notice of one of his many scripts. Su Armstrong produced a little movie called Good Will Hunting. You may have heard of it.

Wow. Surely this was the proverbial 'it'. Any second now his film would be shot and hit the big time, right?

Not quite.

It still took a lot of back-and-forthing. A lot of pitching to get a director and a cast on board. That meant chasing a lot of dead ends and the heartache of schedule conflicts. Even with the main players falling into place, funding still needed to be secured... and that meant getting an international distributor on board to win the funding bodies' confidence. It's a long, slow state of limbo with no guarantee.

But? He kept that hope alive through some very dark moments.

And we don't get there alone, folks. His family and friends stuck by, and enough people along the way believed in his writing to make it happen. And now a distribution agent is backing the film... and suddenly it's a go!

I am THRILLED to be able to tell you that my pal's screenplay 33 Liberty Lane is going to be shot this summer directed by Peter Hewitt. http://www.hollywoodreporter.com/news/sandra-oh-emily-watson-nia-vardalos-melora-hardin-317904 Yep. That's the Hollywood Reporter carrying the story. And yes, those are the incredible women who are starring in MY old buddy's first produced script! Not too shabby.

I am so, so proud of Steve. For over two decades I've watched-- from up close and at a distance-- as he took baby steps forward and got shoved back time and time again by bad luck and circumstance, and the vagaries of the film industry, and real life and family being more important. Here we are at last!

This story is an example to all of us who struggle to keep that spark of hope alive through the darkest of times. We can do this. We CAN.

Now go follow your own paths, and I'll stop blogging and get back to my novel in progress.





Thursday, April 19, 2012

Winners and a Bit of Ennui

I'm proud of my last two blog posts. I was very fortunate to have two great Indie bestselling authors agree to do an interview. Not only did they share a few insights, but they both kindly offered up a free e-book of their respective guides: Jeff Bennington's 'Indie Author's Guide to the Universe' (http://amzn.to/HUMbaN) and Scott Nichoson's 'The Indie Journey' (http://amzn.to/HGMyse). I am terribly slow in getting around to announcing the giveaway winners for these two awesome Indie guidebooks. Sometimes life needs attending to, and I have been a little lax with my blogging as a result of being away at a convention for a few days, and then catching up on my life once I returned home.

How dull! But that's why.

Without any further ado or lame excuses, I will avert my eyes and get my friend to enter the room and arbitrarily choose a winner from the kind folks who left comments on these recent (and I hope helpful) blog posts. In case you missed them, here are the links to the interviews with bestselling Indies Scott Nicholson and Jeff Bennington:

http://ruth-barrett-spiritedwords.blogspot.ca/2012/04/scott-nicholson-shares-tips-for-indie.html

http://ruth-barrett-spiritedwords.blogspot.ca/2012/04/bestselling-author-jeff-bennington.html

Drumroll please...

Aaaaaaaaand the winners are:

Lisa Lane gets a shiny e-copy of The Indie Journey!

(Wild applause!)

And TJ Reed gets The Indie Author's Guide to the Universe!

WOOOT!

I hope you both find these books helpful and encouraging. I know that I did. If you didn't win a copy, they are worth the investment if you are serious about pursuing the Indie author's path. Check them out!

And now here's the ennui I mentioned at the outset-- Henri the cat: http://www.youtube.com/watch?v=Q34z5dCmC4M

Friday, April 6, 2012

Bestselling Author Jeff Bennington Shares Tips from the Indie Author's Guide to the Universe!



Today's special blog guest is author Jeff Bennington. Jeff has written some great spooky thrill-rides-- Twisted Vengeance, Reunion and Creepy-- and learned a lot along the way. He shares some of that process in The Indie Author’s Guide to the Universe. As always, check below the interview for links. As a special bonus, Jeff and I will give away an e-book of this fantastic guide! For a chance to enter the draw, just leave a comment and share this post around.

(And now for a quick, cheeky word from our sponsor- me! Jeff makes great use of his KDP free days-- it made all the difference to his sales. I will be offering my newest short story 'Family Secrets' on April 7/8th- check it out this Saturday and Sunday only! http://www.amazon.com/Family-Secrets-ebook/dp/B007D8TLP2)

*Cue music: Jeff Bennington walks through a virtual curtain, waves to the audience and has a seat by my desk*

Welcome, Jeff!

Thank you, Ruth. I appreciate the invite.

1- First off, tell us why you decided to write this helpful guide.

I decided to write this book for two reasons. As my blog, The Writing Bomb (http://www.thewritingbomb.blogspot.ca/) has grown, I’ve seen a demand amongst indie authors for creative ways to build their platform, market their books, get motivated, and sell their books. They have questions in an overwhelming business and are seeking answers wherever they can find them. Well, I like sharing so I’ve basically blogged about everything I’ve learned. And of all the blog posts I write, the ones about self-publishing, marketing, cover design, platform building, etc, have been the most popular. And these posts seem to resonate with a lot of authors.

This leads to the second reason. As I looked at the content that I had accumulated over the previous year, I noticed that I had enough material to fill a book. The Indie Author’s Guide to the Universe is not a pamphlet-sized guide. No; this dude is 220 pages of solid indie-author coolness. In the end, I added a few more chapters covering subjects that I didn’t want to miss like marketing layering and my “floatation pricing strategy”.

2- Let’s jump back in time: if you were just starting out on your own Indie journey, what are the top three things you wish you had known from the outset?

Okay. That’s easy.


The first thing I would have wanted to know is that it’s possible to turn my love of writing into a profitable business, but that it would take a lot of patience and multiple titles before that happens. I think that information alone would have created healthier expectations on my part.


The next thing I really needed to know is how important it is to hire a professional editor. Family, friends, old teachers and spouses are the last people you should use to edit your work. They are too emotionally attached. The best person to hire is someone who is an editor with experience, and has a good reputation in editing novels.


The third thing that is so important for writers to understand is that they will no longer be writers when they publish. They will become businessmen and women. I believe authors, both self-pubbed and trad-pubbed completely underestimate how much time and energy they must put into marketing their book.

3- a) What was your biggest misstep?

Not paying for editing on my first try.

b) How did it make you feel?

Like a failure. But I’ve felt that before, and I didn’t like it then either, so I did what I’ve always done; I peeled my sorry ass off the floor, shook the dust off and dove into fixing my mistakes and learning what it takes to write a novel that can compete on a professional level. The results of those efforts paid off when Reunion hit the top 100 on Amazon and is still consistently in the top 100 ghost category.

4- a) What was your greatest triumph?

When Reunion hit the top 100 on Christmas Eve. Next to my wife and children, that was the greatest gift I had ever received.

b) You’ve had some great success along the way. What makes this the most outstanding example?

Mostly because it paid in dollars, and not just accolades. Accolades are great and can in fact sell books. But cash is tangible and it affirmed the effort I had put into my writing.

5- What is the best thing about being an Indie author?


Control. Writers seeking traditional publishing have no idea how little they will have. I can re-edit, make a new cover, reset my pricing, change marketing strategies, add excerpts of one book to another, and the list goes on and on. Being my own publisher has its down side, too. I am responsible for everything. But that’s okay. It’s my life and I can live it they way I want to without being held to deadlines by folks that think my life revolves around my books, because it doesn’t.

6- There’s a dark side to everything in life… so how about the worst thing?

I write about the dark side of life; abuse, hatred, pain. But I also write about the bright side. You can’t have one without the other. That works in indie publishing as well. If you aren’t careful, your writing and marketing can ruin your life. It has the power to grow like a weedy vine and totally consume you if you let it. My advice is, don’t let it. Be proactive in managing your craft and family/life. Darkness and light, good and evil; they can be found on the indie road just as easily as any road you choose.

7- Not only have you produced this great guidebook, but you are also behind The Kindle Book Review (http://www.thekindlebookreview.blogspot.ca/) What inspired you to establish the site, and what sorts of helpful things can Indie authors find when they visit?

Well, first of all, they’ll find a website that is growing at the same rate that indie authors are accepted in the eyes of readers.


This site acts as a filter. That’s bad news for the indie authors who expect us to feature their book when it has not been tested by the public. We won’t do it. We require a minimum of 10 reviews and a 4-star rating.


We do this because we want to strengthen the world’s image of indie authors. So to those indies that have crafted an exceptional read, we give them a voice, a place where they can reach out to readers willing to try new authors. We offer several promotional opportunities, and give free reviews. And now we have initiated The Best Indie Books of 2012 contest. This contest awards cash to authors and prizes for readers, too. This is just another effort in bringing Kindle readers closer to the indie author, which is the ultimate goal.

8- Last but not least… what’s next for Jeff Bennington?

I’d like to finish Twisted Vengeance II, re-publish my political thriller series as in collaboration with Caleb Pirtle and Stephen Woodfin, two highly experienced authors. I am also collecting true ghost stories, believe it or not, from my fans, for Creepy II coming in October 2012. So all in all, I plan to publish 4 books in the coming year and then I think I’ll get back into a non-fiction I’m working on called Spiritually Self-Medicating, the one book I have to write before I’m dead.

Thanks for your time, Jeff!
Thank you. And thanks for being patient with me.


The Happy, Helpful Jeff Bennington!




Check out Jeff Bennington's Amazon Author Page for links to all of his awesome books! http://www.amazon.com/Jeff-Bennington/e/B002UG4PTE

And don't forget to leave a comment below for an entry to win this fabulous book:  The Indie Author's Guide to the Universe.

Monday, April 2, 2012

Scott Nicholson Shares Tips for Indie Authors!



A lot of authors have made the same comparison: we have all found the world of Indie publishing to be like the new Wild West. It’s exciting! There are no set rules, and every author can gallop across that open plain into the sunset without an agent or a publisher telling them what they can and cannot do. Gatekeepers? We don’t need no stinkin’ gatekeepers! Yee-haw!

Maybe not… but some guidance sure would be nice. Gets a bit lonesome and scary out in the middle of nowhere, just you and your horse… er… book.

(Quick commercial insert here: As a result of the marketing tips I've gleaned from my blog guests, Base Spirits is currently on at 99 cents! http://amzn.to/wQ1ms4 )

For the next two blog posts, I am pleased to be hosting the authors of two of my favourite Indie guides. The Indie Author’s Guide to the Universe by Jeff Bennington (http://amzn.to/H9XrSa), and The Indie Journey: Secrets to Writing Success by Scott Nicholson (http://amzn.to/HGMyse) are must-reads for any Indie author. Not only are both books packed full of great ideas, practical tips and inspirational moments, they are a delight to read. The authors’ true voices come across loud and clear: these are two engaging men who approach their subject with heart and humour. You couldn’t ask for better companions out there on the Frontier.

But don't just take my word for it-- read for yourself! Scott has very kindly provided a free e-book to give away. Just leave a comment below, and Tweet or otherwise share this post to win!

Scott Nicholson is a prolific author of dark fiction, and you can find out all about his books and contact Scott here: http://www.hauntedcomputer.com/. There are too many books to list, but some of my own favourites are The Red Church, Drummer Boy, The Vampire Shortstop and Creative Spirit. Scott has been out and about on the traditional publishing route as well over the years, and that background certainly informed his own Indie journey. His invaluable experiences are generously shared in The Indie Journey: Secrets to Writing Success.

Welcome, Scott!

1- First off, tell us why you decided to write this helpful guide. 

I'd seen so much attention placed on rankings and money and trad-pub hate that I wanted to present a more philosophical approach, focusing on happiness as the goal instead of the latest tricks to game the Amazon algorithms. Algorithms constantly change, but a metaphysical and spiritual satisfaction with your career never fades.

2- Let’s jump back in time: if you were just starting out on your own Indie journey, what are the top three things you wish you had known from the outset?

1. Jump in earlier and with both feet. 2. Be fully committed. 3. Don't get caught up in the noise.

3- a) What was your biggest misstep? 

I sat on the sidelines for at least six months waiting to see where the Kindle was headed, trying to get agents to sell my books and all that. And I was still talking with agents the first six months after I put in a couple of books, and I was holding out books to try to sell the old way. That was foolish in retrospect.
   
b) How did it make you feel? 

My generation of writers was trained that only hacks self-publish and that it kills any chance of a "real career."

4- a) What was your greatest triumph? 

Fulfilling my only real writing goal of being able to do this for a living.

b) You’ve had some great success along the way. What makes this the most outstanding example? 

Because I never required stardom or the ego baggage, only the satisfaction of the universe making room for the thing I loved to do. I accept that as proof that my writing has enough value to others to be worthwhile.

5- What is the best thing about being an Indie author? 

Wearing ratty sweatpants to work.

6- There’s a dark side to everything in life… so how about the worst thing? 

The firm belief that this digital era will not last in its current form, and the uncertainty ahead. Of course, that is also a joy, too.

7- Obviously, you have the experience of having been published traditionally as well as going Indie. What do you think are the top benefits of each route? 

Trad? Your book in a store, which is still cool even if less useful to sustaining a career. Indie? You get paid every month and the boss doesn't suck, hopefully.

8- Last but not least… what’s next for Scott Nicholson?

I am launching a Kindle giveaway site http://ebookswag.com/ because I believe free books are not only here to stay, they are going to become the dominant model. And writers might want to figure out how to monetize the next era if they want to continue writing.

Thanks for your time, Scott! 

Remember to leave a comment/share this post to enter the draw for Scott's book... and for more great swag and free books, drop by http://ebookswag.com/ !

Friday, March 30, 2012

On Writing Devastating Scenes

Print from A Yorkshire Tragedy


I did a bit of soul-searching this week.

On his blog, my fellow author James Garcia Jr. recently featured his reactions to Base Spirits. He very eloquently tackled the question of the infanticides as portrayed in the novel, and I really appreciated his comments. I disturbed him. I made him angry. But? He stuck with the book and pushed on past his own discomfort because he wanted to find out what happened, and because he admired my writing.


"I am positively reviewing this novel for two main reasons. Barrett writes with beautiful prose and she nailed everything that was required of an author doing a period piece. That's what got me through the unsavory subject matter of abuse, as well as the murder of those beautiful children. When Clara and her husband were in present day, we were there with them. It was present day; anyone could pull that off! More importantly, however, when Clara began seeing through Lady Calverley's eyes, Barrett was able to fully transport us there, too. She nailed the culture, the dress, the language, the pacing, the lifestyles - everything! I found myself thoroughly impressed with Barrett here, and am convinced that no one but a master could have pulled that off."

I am truly humbled by his reaction and his high praise. (You can link to the rest of James Garcia Jr.'s blog here: http://bit.ly/H3Bwjg and his Facebook page is here: http://on.fb.me/H6DAjg ) Thank you, James. It means a lot coming from you.

I want to know how others feel when dealing with the dark side, and to that end I'm offering Base Spirits at a deep discount of 99 cents for a limited time: http://amzn.to/wQ1ms4


That difficult reaction is the sort of thing I really need to hear about as a writer. I've been lucky to have had mostly glowing reviews on my Amazon page, on review blogs, via e-mail and in person. Only two poor reviews so far, and those readers just didn't get into the concept. (That's fair- not everyone's going to love what I do.) I am heartened when I hear things like 'I couldn't put it down' or 'I sat up all night jumping at sounds' or 'Freakin' amazing!'. That pleases me. I like hearing comments like those.

But when I have made someone truly uncomfortable with the subject matter-- or with the brutal portrayal of the murders-- it gives me pause. Years ago, I had a good friend give an earlier draft a beta read... and he couldn't get past the murder scene. I really upset him. He had two children about the same ages as Will and little Walter at the time, and he was horrified. Not a 'scary monster in the attic' kind of horror reaction, but HORRIFIED. I remember feeling guilty for upsetting him so much. At times, that has given me pause going forward with the book itself. If I had that strong sort of visceral reaction from my oldest friend and fellow writer, then what would other people think of me? I didn't want readers to think I was some sort of monster who derives pleasure from tackling the harsh subject matter.

(As a sidebar, my old friend has since re-read the novel and really admires it.)

The scenes of abuse and violence were wrenching for me to work on. I felt sick a lot of the time. I hated that these things happened-- really happened-- to this family in 1605. But they were true events at the heart of my story. How could I shy away? There is no easy or 'nice' way to portray a murder.

If Base Spirits was a screenplay (and it may well be... stay tuned!), I would have handled it differently. That's the joy of filmmaking: you visually suggest something, and the viewer can fill in the rest with more truth and horror in their imaginations than any special effects can. I'm not a huge fan of over-the-top splatter onscreen-- sometimes it's necessary, and sometimes it just becomes cartoonish and goofy and doesn't serve the story. It depends on what effect you want to make on the audience.

In a novel, a writer needs to paint a picture. It was a very unpleasant and disturbing picture for me to paint. I played the mother of these children-- the wife of the abusive killer-- onstage. I had to go somewhere very dark deep down within myself and 'feel' all of that anguish. The fictional retelling had me right back there in the pit. It wasn't easy. But I was compelled to write the novel.

In the end, that's the answer of why I didn't shy away: I've elicited a true gut reaction. Isn't that what art is meant to do? Yes, it entertains us and makes us use our imaginations... but if it upsets you, it is reaching you at a deeper level. And as another Canadian writer Timothy Findley once said: "We are all of us a hiding place for monsters".

What do you think?

Why not judge for yourself? I'm putting Base Spirits on sale for 99 cents for a limited time. Here's the Kindle link again: http://www.amazon.com/Base-Spirits-ebook/dp/B005L38G8E

Thursday, March 22, 2012

Who Here Likes Book Trailers?

BASE SPIRITS.... the Trailer! (And another is on the way... )

video


So... my friends at Authors Anonymous made a trailer for 'Base Spirits' not too long ago. Authors Anon has a splendid website that is a joy to visit. They are passionate about showcasing quality Indie authors, and their site is chock full of interesting discoveries and spotlights on some wonderful writers, as well as helpful links. Have a look: http://authorsanon.wordpress.com/ Who knows? Maybe you could be a 'spotlight' author yourself one day. If you think you might be a good fit and you like what you see, why not get in touch? They're very welcoming.

I've had an offer from my cover designer, Neil Jackson, to make another trailer for me. I'll be sure to post it here once it's finished.

As an author, it's very interesting to watch a trailer about your own book. In the case of the one posted above, there are images from the actual real-life location of the story along with the teasers. I think the atmosphere is creepy. Hopefully, it does its job to make the novel sound intriguing enough for a reader to go grab a copy.

(Insert clumsy segue to book links here... )

For Base Spirits e-books: http://www.amazon.com/Base-Spirits-ebook/dp/B005L38G8E
(In the UK: http://www.amazon.co.uk/Base-Spirits-ebook/dp/B005L38G8E
Available in paperback for all: http://www.amazon.com/Base-Spirits-Ruth-Barrett/dp/1453643001

Back to the trailer question... I was watching a podcast about marketing, and the rather obvious point was made that a trailer for a book works exactly like a movie trailer. It is meant to create buzz and arouse your interest... make you want to rush out and get that amazing novel. Likely the most effective timing for a trailer to hit the Web is before the actual launch date... but as those of you who have been following this blog must know by now, my adventures in the Wild West of Indie publishing have been very much a 'learn-as-you-go' process.

How do you use a trailer to your advantage? Who among you has a book trailer, and how have you found it as a marketing tool? Where have you posted it?

I stumbled across Galleycat last week... and I admit I haven't had time to take a good look at it yet... but it might yield some answers. http://www.mediabistro.com/galleycat/reddit-adds-site-for-literary-videos_b48661 They also seem to offer a lot of good writers' resources in general, so do go poke around and see what you can find.

What do you think? Are book trailers useful at attracting readers? They are fun for the author-- somehow it makes the book seem more 'real', in a way. But are they fun for anyone else?

Tell me what you think.